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Alvin Cailan has risen to become arguably the most high-profile chef in America's Filipino food movement. He emerged from his youth spent as part of an immigrant family in East LA feeling like he wasn't Filipino enough to be Filipino and not American enough to be an American, thus amboy, the term for a Filipino raised in America. He had to first overcome cultural traditions and family expectations to find his own path to success, and this unique cookbook tells that story through his recipes.
Newbery Medalist Erin Entrada Kelly's Hello, Universe is a funny and poignant neighborhood story about unexpected friendships. Told from four intertwining points of view-two boys and two girls-the novel celebrates bravery, being different, and finding your inner bayani (hero).
Mark R. Villegas considers sprawling coast-to-coast hip hop networks to reveal how Filipino Americans have used music, dance, and visual art to create their worlds. An important investigation of hip hop as a movement of racial consciousness, 'Manifest Technique' shows how the genre has inspired Filipino Americans to envision and enact new ideas of their bodies, their history, and their dignity.
Barbara Jane Reyes answers the questions of Filipino American girls and young women of color with bold affirmations of hard-won empathy, fierce intelligence, and a fine-tuned B.S. detector. Simultaneously looking into the mirror and out into the world, Reyes exposes the sensitive nerve-endings of life under patriarchy as a visible immigrant woman of color as she reaches towards her unflinching center.
In more than a century since its appearance, José Rizal's Noli Me Tangere has become widely known as the great novel of the Philippines. A passionate love story set against the ugly political backdrop of repression, torture, and murder, "The Noli," as it is called in the Philippines, was the first major artistic manifestation of Asian resistance to European colonialism, and Rizal became a guiding conscience—and martyr—for the revolution that would subsequently rise up in the Spanish province.
The Filipino story demonstrates how immigration is changing the way people negotiate race, particularly in cities like Los Angeles where Latinos and Asians now constitute a collective majority. Amplifying their voices, Ocampo illustrates how second-generation Filipino Americans' racial identities change depending on the communities they grow up in, the schools they attend, and the people they befriend. Ultimately, The Latinos of Asia offers a window into both the racial consciousness of everyday people and the changing racial landscape of American society.
Inspired by the visual richness and cinematic structure of the Hollywood Musical, Blame this on the Boogie chronicles the adventures of a Filipino American girl born in the decade of disco who escapes life's hardships and mundanity through through the genre's feel good song and dance numbers. Ayuyang explores how the glowing charm of the silver screen can transform one's reality, shaping their approach to childhood, relationships, sports, reality TV, and eventually politics, parenthood, and mortality.
Filipino Americans are now the second largest group of Asian Americans as well as the second largest immigrant group in the United States. As reflected in this collection, their lives represent the diversity of the immigrant experience and their narratives are a way to understand ethnic identity and Filipino American history.
Cendrillon de Louvois was poised to be the most eligible maiden in all of France. But the death of her father, the king’s favorite advisor, has left Cendrillon at the will of her cruel stepmother and stepsisters. Dubbed Lady Cinder by the court, Cendrillon is forced to become a servant to her new family. But when she attends the royal ball, she catches the eye of the handsome Prince Louis and his younger brother, Auguste. Even though Cendrillon has an immediate aversion to Louis and a connection with Auguste, the only way to escape her stepmother is to compete with the other girls at court for the Prince’s hand.
Winner of the Before Columbus Foundation's American Book Award. This collection of sixteen stories brings the work of a distinguished Filipino writer to an American audience. Scent of Apples contains work from the 1940s to the 1970s. Although many of Santos's writings have been published in the Philippines, Scent of Apples is his only book published in the United States.
Eugene Gloria's Sightseer in This Killing City captures the surreal and disorienting feelings of the present. In the wake of recent presidential elections in the United States and in the Philippines, Gloria's latest collection sharpens his obsession with arrivals and departures, gun violence, displacement, cultural legacy, and the bitter divisions in America. Sightseer in this Killing City is an argument for grace and perseverance in an era of bombast and bullies.
Stephen M. Cherry draws upon a rich set of ethnographic and survey data, collected over a six-year period, to explore the roles that Catholicism and family play in shaping Filipino American community life. From the planning and construction of community centers, to volunteering at health fairs or protesting against abortion, this book illustrates the powerful ways these forces structure and animate not only how first-generation Filipino Americans think and feel about their community, but how they are compelled to engage it over issues deemed important to the sanctity of the family.
Moving, sexy, and archly funny, Gina Apostol's Philippine National Book Award-winning Bibliolepsy is a love letter to the written word and a brilliantly unorthodox look at the rebellion that brought down a dictatorship. Gina Apostol's debut novel, available for the first time in the US, tells of a young woman caught between a lifelong desire to escape into books and a real-world revolution.
A Pulitzer Prize-winning journalist's memoir, in the spirit of Richard Rodriquez's Hunger for Memory and Nathan McCall's Makes Me Wanna Holler--an intimate look at the mythology, experience, and psyche of the Asian American male.
From the late 1980's to the present, artists of Filipino descent in the United States have produced a challenging and creative movement. In The Decolonized Eye, Sarita Echavez See shows how these artists have engaged with the complex aftermath of U.S. colonialism in the Philippines.